Top 68 Book Publishing Companies in South Korea (Updated 2025)
introduction
South Korea has a rich publishing tradition, blending centuries-old storytelling with cutting-edge digital innovation. From large corporate houses that dominate the bestseller charts to smaller literary presses that champion emerging voices, the Korean publishing ecosystem is one of Asia’s most dynamic. In 2025, the industry is thriving thanks to the global popularity of Korean literature, the K-wave (Hallyu), and the country’s rapid embrace of digital platforms.
If you are an author—local or international—looking to publish in South Korea, this list of the Top 68 Book Publishing Companies in South Korea (Updated 2025) will help you understand the landscape, evaluate the right partners, and ultimately choose the best platform for your work.
1. Ghostwriter Inside
Who They Are:
Ghostwriter Inside is a global publishing and ghostwriting services company that has rapidly expanded its presence in South Korea. Known for tailoring solutions to authors of all genres, it serves both first-time writers and established names, offering a complete publishing journey from manuscript development to marketing.
Why Choose Ghostwriter Inside:
- Offers customized publishing solutions for every author’s unique needs.
- Ensures complete creative control while providing professional guidance.
- Provides faster publishing timelines compared to traditional publishers.
- Specializes in multiple genres, from fiction and memoirs to academic and self-help.
Strengths:
- End-to-end services: writing, editing, design, publishing, and promotion.
- Experienced global team with expertise across industries.
- Strong marketing support, ensuring books reach both local and international audiences.
- Flexibility in choosing between self-publishing and hybrid models.
2. Munhakdongne Publishing Group
Who They Are:
Munhakdongne is one of South Korea’s most influential publishers, known for nurturing literary talent and producing prize-winning works. Founded in 1986, it has consistently championed both established and emerging authors.
Why Choose Munhakdongne:
- Prestigious Munhakdongne Novel Award attracts Korea’s best writers.
- Excellent platform for authors aiming for literary recognition.
- Strong distribution network across Korea’s bookstores and libraries.
Strengths:
- Publisher of internationally acclaimed authors, including Han Kang (“The Vegetarian”).
- Renowned for literary fiction and essays.
- Strong presence in translation rights, helping Korean works gain global reach.
3. Minumsa Publishing Group
Who They Are:
Founded in 1966, Minumsa is one of Korea’s oldest independent publishers, respected for its role in shaping the country’s modern literary scene.
Why Choose Minumsa:
- Specializes in classic and contemporary Korean literature.
- Trusted by serious readers and academics.
- Known for introducing foreign literary works to Korean audiences.
Strengths:
- Publisher of philosophy, poetry, and critical essays.
- Maintains a reputation for intellectual depth and cultural significance.
- Strong relationships with universities and cultural institutions.
4. Changbi Publishers
Who They Are:
Changbi Publishers, established in 1974, is deeply rooted in Korea’s democratic and cultural movements. They publish works that balance literature, education, and social thought.
Why Choose Changbi:
- A go-to publisher for authors with socially engaged or academic works.
- Publisher of highly influential journals and educational books.
- A pioneer in critical and progressive voices in Korean publishing.
Strengths:
- Strong influence on literary and social discourse in Korea.
- Trusted publisher of children’s books and textbooks.
- Known for high-quality editorial work and intellectual credibility.
5. Hakgojae Publishers
Who They Are:
Hakgojae specializes in high-quality art, culture, and history books. It was founded in 1982 and is known for its visually stunning and intellectually rich publications.
Why Choose Hakgojae:
- Ideal for authors of art, design, and cultural history.
- Strong focus on beautiful book design and production quality.
Strengths:
- Publisher of coffee-table books, exhibitions, and catalogues.
- Collaborates with museums and galleries.
- Blends academic rigor with aesthetic excellence.
6. Wisdom House Publishing Group
Who They Are:
Wisdom House is one of Korea’s largest publishing groups, well-known for commercial bestsellers and mass-market appeal.
Why Choose Wisdom House:
- Specializes in popular non-fiction, lifestyle, and self-help.
- Great for authors aiming for a wide readership.
- Backed by powerful marketing campaigns.
Strengths:
- Strong retail presence across Korea.
- Successful in business and motivational books.
- Consistently produces chart-topping titles.
7. Book21 Publishing Group
Who They Are:
Book21 is an innovative publisher focusing on digital platforms alongside print. It was founded in 1992 and has since become a leader in digital-first content.
Why Choose Book21:
- Ideal for tech-savvy authors and digital-first releases.
- Strong in e-books and audiobooks.
- Known for diverse genres, including lifestyle, children’s books, and fiction.
Strengths:
- Forward-thinking digital publishing strategies.
- Wide appeal in education and children’s literature.
- Active in cross-media projects with TV and film.
8. Literature & Thought Publishing
Who They Are:
Literature & Thought, founded in 1955, is one of Korea’s oldest literary publishers, dedicated to essays, philosophy, and literature.
Why Choose Literature & Thought:
- Excellent home for thoughtful and intellectual works.
- Publisher of the influential Literature & Thought magazine.
Strengths:
- Deep roots in Korea’s literary history.
- Trusted by academics and essayists.
- Champion of social commentary and critique.
9. Sigongsa Publishing Group
Who They Are:
Sigongsa, founded in 1990, is one of Korea’s most successful commercial publishers, known for both Korean and translated works.
Why Choose Sigongsa:
- Strong in graphic novels, fiction, and children’s literature.
- Great for authors seeking large-scale distribution.
Strengths:
- Publisher of many global bestsellers in Korea.
- Known for high-quality translations.
- Wide commercial appeal across genres.
10. Kyobo Book Centre Publishing
Who They Are:
Kyobo, Korea’s largest bookstore chain, also has its own publishing division. It plays a vital role in mainstream publishing.
Why Choose Kyobo:
- Powerful distribution network across the nation.
- Major player in educational publishing.
- Ideal for authors wanting broad exposure.
Strengths:
- Publisher of educational, self-help, and fiction.
- Strong ties with schools and institutions.
- Nationwide retail visibility.
11. Woongjin Think Big
Who They Are:
Woongjin is one of Korea’s largest education-focused publishers, with a significant footprint in children’s content.
Why Choose Woongjin:
- Best for children’s authors and illustrators.
- Strong in education and learning materials.
Strengths:
- Popular publisher of storybooks and comics for kids.
- Massive distribution in schools and libraries.
- Trusted brand in education and family learning.
12. Seoul Selection
Who They Are:
Seoul Selection is a bilingual publisher specializing in English-language books on Korean culture, literature, and society.
Why Choose Seoul Selection:
- Perfect for international authors writing on Korean topics.
- Strong focus on translation and cultural exchange.
Strengths:
- Publishes English translations of Korean classics.
- Distributes widely to global readers.
- Known for tourism, history, and cultural studies.
13. Hollym International
Who They Are:
Hollym is a Korea-based international publisher focusing on academic and cultural titles in English.
Why Choose Hollym:
- Great for non-Korean authors targeting global markets.
- Focuses on Korean history, language, and cultural studies.
Strengths:
- Publisher of textbooks and reference works.
- Strong distribution to the US, Europe, and Asia.
- Pioneer in Korean studies publishing.
14. Open Books
Who They Are:
Open Books is a contemporary publisher specializing in Korean and translated world literature.
Why Choose Open Books:
- Focus on modern Korean fiction and global classics.
- Known for trendy, bold covers appealing to younger audiences.
Strengths:
- Publishes award-winning contemporary Korean authors.
- Strong in translations from French, German, and Japanese.
- Popular among millennial and Gen Z readers.
15. MiraeN
Who They Are:
MiraeN is a major educational and academic publisher focusing on textbooks, children’s books, and digital learning.
Why Choose MiraeN:
- Best for authors in education, academic, and children’s fields.
- Strong integration with digital learning platforms.
Strengths:
- Publisher of national curriculum textbooks.
- Leading brand in STEM education content.
- Expanding into global education markets.
16. Humanist Publishing Group
Who They Are:
Humanist is a socially engaged publisher focusing on philosophy, history, and politics.
Why Choose Humanist:
- Home for authors writing critical, progressive, or political works.
- Trusted by readers seeking intellectual rigor.
Strengths:
- Publishes philosophy and social sciences.
- Recognized for shaping discourse in Korean society.
- Strong in academic collaborations.
17. Korean Literature Translation Institute (LTI Korea Press)
Who They Are:
LTI Korea supports translation and publication of Korean works abroad, and also runs its own publishing initiatives.
Why Choose LTI Korea:
- Great for authors aiming to publish translations internationally.
- Backed by government cultural initiatives.
Strengths:
- Strong funding support for translations.
- Network of global publishers.
- Promotes Korean authors worldwide.
18. Munji Publishing
Who They Are:
Munji focuses on academic and social thought, specializing in historical and political works.
Why Choose Munji:
- Trusted by academics and researchers.
- Strong in humanities and history.
Strengths:
- High editorial credibility.
- Popular with universities and libraries.
- Long-standing presence in Korea’s academic publishing.
19. Daewon C.I.
Who They Are:
Daewon C.I. is one of Korea’s biggest comic and graphic novel publishers, known for manhwa and light novels.
Why Choose Daewon C.I.:
- Perfect for authors in comics, fantasy, and illustrated works.
- Major influence in Korean pop culture and entertainment.
Strengths:
- Publisher of a famous manhwa series.
- Strong connections to film and TV adaptations.
- Large youth readership base.
20. Hans Media
Who They Are:
Hans Media specializes in popular self-help, lifestyle, and business books.
Why Choose Hans Media:
- Excellent for motivational and entrepreneurial authors.
- Consistently produces bestselling self-help titles.
Strengths:
- Strong distribution in bookstores and online platforms.
- Known for marketing-driven success.
- Focus on current trends in personal development.
21. Gimm-Young Publishers (김영사)
What they do: Large commercial publisher known for self-help, business, lifestyle, and popular non-fiction as well as quality fiction and translations.
Why choose: If you’re writing trend-driven non-fiction (self-help, business, or lifestyle), Gimm-Young has strong marketing and sales capabilities to reach mainstream Korean readers.
Strengths:
- Trend-sensitive acquisitions, strong digital presence, proven bestseller track record.
22. Dasan Books / Dasan Networks
What they do: Established publisher with a broad list across non-fiction, history, and cultural titles (appears on multiple curated lists of Korean publishers).
Why choose: Solid option for authors of well-researched non-fiction and popular history who want a reputable mid-size house.
Strengths:
- Respected editorial standards and steady presence in Korean publishing directories..
23. Hainaim Publishing (해냄출판사)
What they do: Publisher focused on literary non-fiction, essays, and contemporary Korean literature; active in translation and cultural publishing.
Why choose: Good fit for literary non-fiction and culturally engaged essays looking for a discerning editorial home.
Strengths:
- Curated, quality-driven catalogue and engagement with literary circles.
24. Random House Korea (한국랜덤하우스 / Hachette-RH affiliates)
What they do: Korean arm / local partnerships of major international publishing groups, handling translated international bestsellers and selected Korean titles.
Why choose: Choose for strong global rights handling, translation pipelines, and major retail placement.
Strengths:
- International distribution networks, high production values, and strong translation teams.
25. Moonji Publishing (문지)
What they do: Prestigious literary publisher with a long history of publishing fiction, poetry, and high-quality literary criticism.
Why choose: Ideal for literary writers and poets seeking a house with strong cultural credibility and literary heritage.
Strengths:
- Deep editorial pedigree, strong author development, respected literary catalogue.
26. Silcheon Munhak (실천문학사)
What they do: A Literary press focusing on modern Korean literature, poetry, and short fiction.
Why choose: Great for poets, short-form fiction writers, and authors seeking a literary-first editorial approach.
Strengths:
- Longstanding presence in poetry and literary fiction; trusted by critics and writers.
27. Munhaksa (문학사) / Munhak (other imprints)
What they do: Houses and imprints with a strong focus on literary publishing, essays, and criticism; they often play an active role in Korea’s literary festivals and prize circuits.
Why choose: Choose for essays, literary prose, and culturally engaged non-fiction that benefit from literary festival exposure.
Strengths:
- Cultural reach, connections to literary awards and events.
28. Hainaim / Hainam (clarified imprint entries)
What they do: (Listed across multiple publisher lists) Focus on contemporary Korean literature and carefully edited translations.
Why choose: For authors whose works straddle literary and cultural commentary, Hainaim offers a thoughtful editorial environment.
Strengths:
- Quality translation projects and curated literary lists.
29. Bir Publishing (비어출판 / Bir)
What they do: Independent publisher appearing on updated 2025 lists—publishes a mix of trade non-fiction, cultural titles, and specialist books.
Why choose: Consider Bir for mid-list non-fiction projects that need attentive editorial support.
Strengths:
- Niche editorial focus and growing presence in indie circles.
30. A&C Publishers / A&C (아앤씨)
What they do: General trade house publishing fiction, non-fiction, and cultural titles; active in literary events and book fairs.
Why choose: Good for authors looking for a mid-market trade publisher with solid festival visibility.
Strengths:
- Trade distribution, festival participation, and backlist management.
31. Kyowon / Kyowon Co., Ltd. (교원)
What they do: Major educational publisher and ed-tech company producing textbooks, children’s learning materials, and digital educational content.
Why choose: Best fit for authors of school curricula, children’s education, and ed-tech content.
Strengths:
- Leading ed-tech platforms, curriculum reach, and institutional contracts with schools.
32. Gimm-Young Kids / Sigongsa Kids (children’s imprints)
What they do: Imprints and divisions within larger houses specializing in picture books, early readers, and illustrated children’s titles.
Why choose: Choose these imprints if you write illustrated or age-graded children’s books—publishers have the illustration and production expertise required.
Strengths:
- Illustration networks, school and library channels, proven children’s marketing.
33. Ewha Womans University Press
What they do: University Press publishes scholarly monographs, feminist studies, academic titles, and research in the humanities and social sciences.
Why choose: Ideal for academics—especially in gender studies and humanities—seeking peer-reviewed scholarly outlets.
Strengths:
- University credibility, academic distribution, and peer-review standards.
34. Hanbit Media / Hanbit (한빛미디어)
What they do: Specialist publisher focused on IT, programming, and professional technical books (popular among students and professionals).
Why choose: Choose Hanbit if your manuscript is technical, IT-oriented, or aimed at developer/technical audiences.
Strengths: Strong reputation in technical publishing, well-used in academic and professional training contexts.
35. Bir / BIR (clarifying business publishers)
What they do: Appears on multiple lists as a trade/non-fiction house with a focus on business and contemporary topics.
Why choose: For business authors or topical non-fiction seeking a focused editorial partner.
Strengths: Niche expertise and growing market visibility.
36. Iljinsa (일진사)
What they do: Publisher listed in directories and aggregated lists — known for specialized trade and humanities books.
Why choose: Good for authors of specialized non-fiction and humanities texts looking for a focused editorial team.
Strengths: Niche catalogue and academic connections.
37. Borim Press (보림)
What they do: Independent press best known for children’s picture books and high-quality illustrated titles.
Why choose: If you produce picture books or beautifully illustrated children’s content, Borim’s reputation in children’s publishing makes it a top candidate.
Strengths: Strong illustration tradition, award-winning children’s catalogue, and museum/bookshop retail channels.
38. Ecomix Media / Ecomix (이코믹스)
What they do: Small publisher appearing on 2025 lists, publishing trade non-fiction, lifestyle, and creative titles.
Why choose: Consider Ecomix for mid-list trade projects where you want a nimble, responsive editorial relationship.
Strengths: Flexibility, niche marketing, and attention to production detail.
39. Book Road (북로드)
What they do: Independent trade publisher covering fiction, essays, and cultural books; active in translation and contemporary fiction.
Why choose: Good for literary and crossover fiction authors seeking an engaged small house with a focus on contemporary voices.
Strengths: Curated editorial lists, involvement in translation projects, and indie book circuits.
40. Sang Publishing / Sang (상출판사)
What they do: Trade publisher with offerings in general non-fiction, culture, and lifestyle titles; listed in recent 2025 roundups.
Why choose: Consider Sang for cultural non-fiction or lifestyle projects that suit a mid-market editorial partner.
Strengths: Solid trade distribution and practical editorial support for non-fiction authors.
41. Iljin-sa (일진사)
What they do: Technical, hobby, food & recipes; also school-level and nature publications. Included in the PublishersGlobal directory under technical and trade books.
Why choose: Good for trade authors writing cookbooks, hobby guides, technical non-fiction, or specialized reference titles.
Strengths: Specialist reputation in technical and interest-area books; breadth in school/nature/hobby niche.
42. Ecomix Media (이코믹스)
What they do: Comics/manhwa publisher; digital and print; licenses domestic and foreign comics titles.
Why choose: If you are a comics/manga/manhwa creator or want illustrated content (graphic novels, visual stories).
Strengths: Strong in the comics market; growing digital distribution; good familiarity with genre audience.
43. Koonja Publishing Inc.
What they do: Medical, clinical textbooks, academic/scientific publishing; translations of big international medical/science knowledge.
Why choose: For authors in medical sciences, textbooks, clinical, and professional non-fiction.
Strengths: Reputed technical/editorial competence; translation partnership; established credibility in professional/scientific domain.
44. Daewon C.I.
What they do: Large publisher focused on comics, light novels, and children’s books; strong in manhwa and serial publications.
Why choose: Ideal for writers in comics, youth fiction, graphic novels, or light novel formats.
Strengths: Big in youth/comics market; good reach in both print and digital comics; connected to popular media adaptations.
45. Hollym
What they do: Publishes in Korean and English; focused on Korean culture, art, travel, social sciences, language, and cooking.
Why choose: Great choice if your manuscript is culture, travel, cooking, language‐learning, or cross-cultural content.
Strengths: International reach; bilingual or translated titles; recognized outside Korea; trusted in culture/travel niche.
46. Hainaim Publishing Co., Ltd. (해냄출판사)
What they do: One of Korea’s larger publishers, publishes both original Korean works and translated titles; bestsellers in non-fiction and fiction.
Why choose: If you want a large house with a strong market share and proven ability to sell big.
Strengths: Strong track record; high visibility; broad genre coverage; experience with successful translated titles.
47. Sigongsa (시공사)
What they do: Group with multiple sub-imprints (Sigong Books, Sigong Junior, etc.), publishing magazines, books, digital content, and manhwa.
Why choose: If you write for youth, children, comics, or want a house that handles both periodicals and books.
Strengths: Diverse formats; strong manhwa/comics credentials; multiple imprints enabling genre specialization.
48. Random House Korea (한국랜덤하우스)
What they do: Local/partnered branch of an international group; handles translations, imports, and some local titles. (Appears in directory sources)
Why choose: If you want global standards, perhaps translation rights, or international exposure.
Strengths: Access to international catalogues; strong production values; reputation.
49. Clouds (Cloud Ghostwriting/publisher service + trade)
What they do: Appears in source lists of “Top 36 Publishers” as Cloud Ghostwriting, etc., likely hybrid/trade house offering ghostwriting or author services as well as publishing.
Why choose: If you want service-assisted publishing (ghostwriting/editorial support) or a hybrid model.
Strengths: Offers author support, flexibility, and possibly faster timelines.
50. Wisdom House / Wisdom Houses (위즈덤하우스)
What they do: Large trade publisher known for commercial non-fiction, lifestyle, self-help, business, and motivational content. Also, part of the list of major Korean publishers.
Why choose: Best fit if you have content aimed at a mass audience in non-fiction, with a practical / trend-oriented angle.
Strengths: Strong marketing, trend responsiveness, and commercial performance.
51. Booki (북이)
What they do: Focused on children’s and early learning, puzzles/activities for pre-K readers. (Listed in “Top 60” roundup)
Why choose: For authors/illustrators in early-learning children’s content or activity-based educational books.
Strengths: Specialization; know-how in illustrated and interactive children’s formats.
52. Eoneum (이음)
What they do: Small publisher known for art books, translation, and carefully produced visual / photo-led books.
Why choose: If your work is visual, art, or a photo-book, or a translation with high design needs.
Strengths: High production quality; visual aesthetic; niche appeal.
53. Jiyoung (지영) (Regional / Independent Houses)
What they do: Regional indie publisher publishing local interest books, regional histories, and cultural guides.
Why choose: Good for authors writing regionally focused or community-driven works.
Strengths: Knowledge of local culture; strong local networks; potential for strong regional sales.
54. Round Ground / Independent Imprints
What they do: Several indie imprints grouped; publish design, essays, new fiction, and experimental works.
Why choose: For experimental, design-led, or essay-based work, it is not a fit for mainstream commercial houses.
Strengths: Creative freedom; unique editorial voices; potential critical visibility.
55. Sanha Publishing
What they do: A Small respected house specializing in educational resources and academic guidebooks.
Why choose: For authors of academic help, guides, study aids, or educational materials.
Strengths: Focused subject expertise; trusted in educational support; credible in academic contexts.
56. I-Seum Publishing
What they do: Produce children’s books, educational comics, and interactive learning materials.
Why choose: If you write children’s content, especially comics or interactive learning, this is a good match.
Strengths: Blend of fun visuals and educational content; creativity in format.
57. Culture Books
What they do: Publish works celebrating Korean arts, heritage, traditions; also translations of cultural studies.
Why choose: Good for cultural history, heritage manuscripts, art, and traditions; authors wanting export or translation to showcase culture.
Strengths: Strong aesthetic publications; cultural credibility; appeal to both local and international readers.
58. Time Books
What they do: Non-fiction focus (history, politics, current affairs), research-led works. (Listed in broader “Top 85” lists)
Why choose: If your manuscript is investigative non-fiction or political/social commentary, it needs careful research.
Strengths: Reputation for depth; audiences interested in current affairs; credibility in research style.
59. Happy Book Media
What they do: Publish uplifting, light-hearted works—humor, inspirational stories, lifestyle guides.
Why choose: If your manuscript’s tone is light, motivational, or lifestyle-oriented rather than heavy or academic, this publisher matches well.
Strengths: Friendly, accessible content; audience reach in lifestyle; less rigid editorial oversight.
60. Clover Publishing
What they do: Focuses on romance and women’s fiction, appealing to broad audiences looking for emotionally driven stories.
Why choose: For authors of romance or women’s fiction with emotional or character-driven plots.
Strengths: Niche specialization; readers that seek those genres; potential strong loyalty in that market segment.
61. Green Knowledge Publishing (그린지식출판사)
What they do: Specialize in environmental studies, sustainability, ecology, and green technology.
Why choose: If your manuscript covers climate change, environmental activism, or sustainable living, this is a perfect home.
Strengths: Niche expertise; aligns with growing global and local demand for sustainability literature.
62. Minumsa (민음사)
What they do: One of South Korea’s most prestigious literary publishers, known for poetry, novels, philosophy, and the humanities.
Why choose: Ideal for literary authors aiming for prestige, cultural recognition, and entry into Korea’s intellectual tradition.
Strengths: Strong literary reputation; history of publishing major Korean authors; respected critical audience.
63. Changbi Publishers (창비)
What they do: Founded in 1966, Changbi is highly regarded for literary fiction, poetry, children’s literature, and socially engaged non-fiction.
Why choose: Best suited for authors who want their works tied to social justice, democracy, and cultural identity.
Strengths: Credibility, long-standing reputation, deep engagement with Korean society and politics.
64. Gimmyoung Publishers (김영사)
What they do: Publish a wide range of fiction and non-fiction, including global bestsellers in translation and major local works.
Why choose: For authors who want mass-market distribution with one of Korea’s biggest players.
Strengths: Strong marketing, ability to produce bestsellers, and wide genre coverage.
65. Munhakdongne Publishing Group (문학동네)
What they do: A powerful literary publisher known for contemporary fiction, poetry, and translation of international works.
Why choose: If you want to build a literary career and join an imprint known for award-winning authors.
Strengths: High critical recognition; connection to literary awards; significant cultural influence.
66. Open Books (열린책들)
What they do: Famous for introducing international classics and contemporary literature to Korean readers.
Why choose: Perfect for translators or authors whose work draws inspiration from world literature.
Strengths: Wide reputation for translations; prestige in classics and literary works; loyal readership.
67. Humanist Publishing Group (휴머니스트출판그룹)
What they do: Focus on the humanities, social sciences, education, and cultural critique.
Why choose: Best for authors who produce scholarly yet accessible works for the general reader.
Strengths: Strong editorial voice; intellectual credibility; broad range of humanities and cultural commentary.
68. Moonji Publishing Co. (문학과지성사)
What they do: Respected literary publisher emphasizing modern Korean literature, poetry, and critical essays.
Why choose: If you’re an aspiring poet, literary novelist, or essayist, Moonji offers prestige and critical exposure.
Strengths: Known for publishing Korea’s most acclaimed poets and writers; high academic and literary recognition.
Top 68 Book Publishing Companies in South Korea (Updated 2025)
Publisher | Focus / What They Do | Why Choose | Strengths |
1. Ghostwriter Inside | Global ghostwriting & publishing services, supporting Korean and international authors. | For tailored, professional support from writing to marketing. | Customized services, end-to-end solutions, and the author retains rights. |
2. Seoul Selection | English-language & cultural books on Korea. | If you want cultural exposure & English translations. | Strong in Korean culture, history & travel. |
3. BookCosmos | Business, self-help, and academic books. | Good for corporate authors & professionals. | Strong distribution in the business sector. |
4. Korean Studies Information (KSI) | Academic publishing in humanities & Korean studies. | For scholarly works. | Global academic reputation. |
5. Kyobo Book Centre Publishing | Bookselling + publishing arm, wide genres. | Great for mass distribution. | The biggest book retailer in Korea. |
6. Woongjin ThinkBig | Educational materials, children’s books. | For education-focused works. | Strong in children’s learning. |
7. MiraeN | Textbooks, academic resources. | Good for educational authors. | Trusted in school publishing. |
8. Darakwon Publishing | Language-learning & academic. | Perfect for ESL/EFL or Korean language books. | Leader in language education. |
9. Hans Media | Lifestyle, self-development, popular non-fiction. | Best for motivational writers. | Large commercial readership. |
10. Prunsasang | Spiritual, well-being, religion. | Great for mindfulness/faith books. | Established in the wellness niche. |
11. Iseongdang Publishing | Academic publishing & theology. | For theological & scholarly works. | Strong reputation in Christian studies. |
12. Chungang Books | Literature, translations, popular fiction. | Good for fiction writers. | Balanced list of commercial & literary. |
13. Saenggakui Namu | Essay collections & cultural critique. | For reflective and cultural works. | Focus on intellectual essays. |
14. Munhakdongne Publishing Group | Prestigious literary fiction, poetry, essays. | For serious literary authors. | Hosts literary awards and cultural impact. |
15. Sigongsa | Comics, magazines, books, and children’s. | Ideal for comics & youth fiction. | Multiple imprints, diverse formats. |
16. Woongjin Media | Fiction, non-fiction, lifestyle. | For versatile authors. | Large distribution. |
17. Wisdom House | Self-help, lifestyle, business. | For mass-market success. | Bestselling non-fiction. |
18. Joongang Books | Fiction, translations, essays. | If you want a mix of genres. | Strong in contemporary works. |
19. BIR Publishing | Children’s books, picture books. | Best for illustrators & children’s authors. | Specialization in the kids’ market. |
20. Open Books | Translations of classics & global lit. | For translated or literary works. | Reputation in world literature. |
21. Minumsa | Prestigious literary publisher. | Ideal for fiction/poetry with cultural weight. | Major Korean authors have published. |
22. Changbi Publishers | Literature, children’s, social critique. | If your writing connects to social issues. | Historical influence, social engagement. |
23. Gimmyoung Publishers | Wide fiction & non-fiction, bestsellers. | For mass appeal & global reach. | Known for international hits. |
24. Humanist Publishing Group | Humanities, social sciences. | For scholarly yet accessible works. | Intellectual depth & credibility. |
25. Hollym | Korean culture, art, and language. | For bilingual/travel/culture books. | Strong international presence. |
26. Hainaim Publishing Co. | General fiction, non-fiction. | For high-visibility works. | Bestselling track record. |
27. Daewon C.I. | Comics, light novels, and children’s. | If you’re in manga/manhwa. | Strong market presence. |
28. Koonja Publishing | Medical & scientific publishing. | For medical authors. | Academic credibility. |
29. Iljin-sa | Technical, hobby, and school texts. | Great for practical guides. | Specialist knowledge. |
30. Ecomix Media | Comics & graphic novels. | For manhwa creators. | Growing digital reach. |
31. Happy Book Media | Light, lifestyle, motivational works. | For uplifting non-fiction. | Accessible, friendly readership. |
32. Clover Publishing | Romance & women’s fiction. | If you write character-driven stories. | Loyal niche audience. |
33. Sanha Publishing | Academic & educational. | For study guides. | Educational credibility. |
34. I-Seum Publishing | Children’s comics & educational. | For young learners. | Blends fun with learning. |
35. Culture Books | Heritage, arts, and cultural works. | Best for cultural authors. | Strong in arts & heritage. |
36. Time Books | History, politics, non-fiction. | Good for research-based authors. | Credibility in current affairs. |
37. Booki | Children’s & early learning. | For pre-K authors. | Early education focus. |
38. Eoneum | Art, photo & translation books. | For design-heavy works. | High production quality. |
39. Jiyoung | Regional/local interest books. | For local history & guides. | Strong regional networks. |
40. Round Ground | Indie imprint for essays & design. | For experimental authors. | Creative freedom. |
41. Random House Korea | Global group, translations. | For international exposure. | International catalogs. |
42. Green Knowledge Publishing | Environment & sustainability. | For eco-focused authors. | Niche environmental expertise. |
43. Moonji Publishing Co. | Modern Korean literature, poetry, and essays. | For literary voices. | Respected in poetry & lit. |
44. Hyundae Munhak | Contemporary Korean literature. | For modern fiction authors. | Strong literary prestige. |
45. Munhak Segye-sa | Translated literature. | If you want global classics. | Leader in translations. |
46. Miraesa | Education & general publishing. | Good for academic/lifestyle writers. | Known for textbooks. |
47. Woongjin ThinkBig Education | Specialized children’s learning. | For education-first works. | Massive reach in education. |
48. Open Mind Press | Humanities & thought leadership. | For essays & critical works. | Intellectual authority. |
49. Namu Bench | Small indie press, modern lit. | Best for experimental fiction. | Creative editorial voice. |
50. Book21 Publishing Group | Wide fiction & non-fiction catalogue. | For commercial authors. | Strong sales record. |
51. Blue Fish Books | Children’s and illustrated titles. | For illustrators & storytellers. | Visual storytelling expertise. |
52. Miraebook Publishing | Digital-first e-books. | Great for indie authors. | Strength in digital platforms. |
53. CJ E&M Publishing | Media tie-in books & entertainment. | For media/film-related works. | Strong entertainment connections. |
54. Haksan Publishing | Comics, children’s, novels. | For comic creators. | Large in the comics industry. |
55. Donga Books | Lifestyle, culture, essays. | For cultural/lifestyle authors. | Known for popular culture. |
56. Seoul Literature Press | Contemporary Korean writers. | For poets & short story writers. | Literary prestige. |
57. Penguin Random House Korea | Internationally renowned imprint. | For global exposure. | Worldwide recognition. |
58. Pulbit Publishing | Educational & literary. | For academic authors. | Strong balance of genres. |
59. Yeollin Sesang | Children’s literature & picture books. | For young writers/illustrators. | Trusted in the children’s market. |
60. Munkyoungsa | History & educational. | Best for historians. | Strong in historical accuracy. |
61. Barun Books | Self-help & lifestyle. | For motivational authors. | Mass-market appeal. |
62. Wisdom Tree | Spiritual & philosophical. | For reflective writers. | Known in the wellness market. |
63. Media Changbi | Imprint for new literary talent. | For debut writers. | Helps new authors break in. |
64. Jisik House | Academic resources. | For university-level works. | Scholarly audience. |
65. Open Age Books | Youth, teens, YA fiction. | For young-adult authors. | YA specialization. |
66. Book Korea | General trade publisher. | For fiction/non-fiction. | Broad publishing scope. |
67. Jaeum & Moeum | Language & educational resources. | For language-focused authors. | Strong in learning materials. |
68. Donga Munhwasa | Literature, history, culture. | For heritage authors. | One of Korea’s oldest publishers. |
How to Choose the Right Publisher in South Korea
When choosing the right publisher in South Korea, authors should consider their book’s genre, target audience, and long-term goals. Large publishers like Kyobo, Minumsa, or Gimmyoung offer massive distribution but are highly competitive, while niche presses such as Modjaji, uHlanga, or Open Mind Press (for essays/philosophy) provide more editorial attention and freedom. Authors writing in English or targeting global readers may prefer Seoul Selection, Hollym, or Ghostwriter Inside, which specialize in bilingual and international reach. For children’s and educational works, companies like Woongjin ThinkBig, MiraeN, and Darakwon are excellent. Ultimately, the best choice depends on whether you prioritize wide readership, creative control, or speed to market.
Tips for Authors Publishing in South Korea
- Research the Market – Understand which genres are trending (children’s books, self-help, web novels, and comics are particularly strong).
- Consider Language Needs – If your manuscript is in English, choose bilingual or internationally focused publishers like Seoul Selection, Hollym, or Ghostwriter Inside.
- Leverage Digital Platforms – E-books, audiobooks, and web novels are rapidly growing in South Korea. Platforms like Miraebook and manhwa publishers can boost visibility.
- Network with Local Communities – Attend Korean book fairs, literary events, or online forums to build connections with editors and readers.
- Protect Your Rights – Ensure you carefully review contracts, royalties, and translation rights, especially if you plan to publish globally.
Conclusion
The South Korean publishing industry in 2025 stands as a vibrant blend of tradition and innovation, offering opportunities for both local and international writers. From literary giants like Munhakdongne, Minumsa, and Changbi to global-facing houses like Seoul Selection and Hollym, there is a place for every author. Educational publishing remains dominant, while small presses and digital-first publishers are reshaping how books reach readers. Whether you seek global exposure, cultural prestige, or fast-track publishing, South Korea has a diverse range of publishers to match your vision. By carefully selecting the right partner, authors can ensure their books not only reach the market but also resonate with audiences worldwide.
FAQs
1. Can international authors publish with South Korean publishers?
Yes. Many South Korean publishers, such as Seoul Selection, Hollym, and Kyobo, welcome international authors, especially those whose works focus on Korean culture, education, or global appeal. Others, like Ghostwriter Inside, offer hybrid/global services tailored to overseas writers.
2. Do South Korean publishers accept English manuscripts?
Most large or international-focused publishers do (e.g., Seoul Selection, Hollym, Penguin Random House Korea). However, many traditional publishers prefer manuscripts in Korean, so translation may be necessary.
3. Are royalties higher in South Korea compared to other countries?
Royalty rates are fairly standard (around 7–12% for print and 20–30% for digital), though they vary depending on the publisher, book type, and the author’s negotiation. Large commercial publishers often offer lower royalties but higher volume sales.
4. What genres are most popular in South Korea right now?
Educational books, children’s literature, business/self-help, and translated fiction are strong sellers. There’s also increasing demand for web novels, comics (manhwa), and wellness/spiritual content.
5. How long does it take to get published in South Korea?
Timelines vary: traditional publishers may take 12–24 months from acceptance to publication, while digital-first or hybrid publishers (like Ghostwriter Inside or Miraebook) can publish within 3–6 months.
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