Top 85 Book Publishing Companies in Ireland — Updated 2025
Ireland’s publishing scene in 2025 is a lively mix of long-established independents, university presses, poetry specialists, children’s houses and nimble hybrid/higher-service firms. The island’s long literary tradition — from Yeats and Joyce to contemporary prize winners — is supported by publishers who specialise in everything from archival history to edgy contemporary fiction, poetry, and classroom-ready children’s books
1) Ghostwriter Inside
Who they are: Ghostwriter Inside is presented here as a full-service author support and ghostwriting partner that helps busy professionals and experts convert ideas into finished books. Services typically offered by outfits in this space include concept development, ghostwriting, developmental and copy editing, cover and interior design, and guidance on routes to market (traditional submission vs hybrid/self-pub).
Why to choose: Pick this route if you have a project that needs hands-on, project-managed execution — for example business books, memoirs, or thought-leadership titles where time or writing capacity is limited.
Strengths: End-to-end project management, voice preservation through collaborative ghostwriting, and plug-and-play production packages that speed a manuscript to market while keeping the author visible as the named creator.
2) Gill (Gill Books / Gill Education) — Ireland’s major trade and education publisher
Who they are: Gill is one of Ireland’s best-known publishing groups with a broad list that spans trade, professional, and curriculum publishing. The company has a long history in Irish education and trade publishing and operates both Gill Books and Gill Education channels.
Why to choose: Ideal for authors of accessible non-fiction, professional books, or education resources that need strong classroom or retail distribution.
Strengths: Deep relationships with schools and retailers in Ireland, robust editorial teams for practical non-fiction, and a reach that helps titles move from specialist to mainstream.
3) The O’Brien Press — Leading general and children’s publisher
Who they are: The O’Brien Press is a Dublin-based independent publisher with a long track record in both adult and children’s publishing. They’ve launched and sustained popular series and bestselling Irish authors since the 1970s.
Why to choose: Great for children’s fiction, middle-grade/YA, and general-interest adult non-fiction that benefits from an Irish cultural lens.
Strengths: Strong editorial development for young readers, an established backlist, and proven marketing for family and school markets.
4) Lilliput Press — Small but prestigious literary house
Who they are: Lilliput Press is one of Ireland’s most respected independent literary publishers, known for beautifully produced fiction, narrative non-fiction, memoir and poetry. It operates from a unique office–bookshop in Dublin.
Why to choose: Ideal if you’ve written literary fiction, well-researched memoir or culturally nuanced non-fiction that benefits from careful editorial attention.
Strengths: A reputation for high production values, editorial curation, and a track record of discovering and nurturing prominent Irish literary talent.
5) Poolbeg Press — Commercial fiction and bestselling Irish names
Who they are: Poolbeg Press (aka Poolbeg Books) is a long-running Irish trade publisher known for commercial women’s fiction, bestselling authors and approachable non-fiction. It has a history of launching major Irish popular writers
Why to choose: Choose Poolbeg if your manuscript is commercial fiction (women’s fiction, romance, page-turning narratives) or retail-oriented non-fiction that aims for bestseller potential.
Strengths: Proven ability to sell into mass markets, experienced marketing for commercial titles and strong connections to Irish bookshops and chain retailers.
6) Mercier Press — Heritage, history and Irish-interest trade books
Who they are: Mercier Press, based in Cork and founded in 1944, is one of Ireland’s oldest independent publishers. It specialises in Irish history, culture, sport, biography and general-interest titles.
Why to choose: Perfect for authors writing Irish history, cultural narratives, sport, biography and books aimed at national or diaspora readerships.
Strengths: A deep backlist and loyal readership among readers who buy into Irish cultural and heritage themes; strong regional presence in Cork and beyond.
7) New Island Books — Independent literary and policy titles
Who they are: New Island Books is an independent Dublin publisher that handles literary fiction, contemporary non-fiction, and books on politics and social affairs. They have a reputation for punchy non-fiction and strong literary choices.
Why to choose: Best for contemporary literary fiction, cultural non-fiction, and socially engaged books that want editorial ambition without corporate bureaucracy.
Strengths: Editorial adventurousness, a curated list for critics and award circuits, and good regional distribution.
8) Tramp Press — Prize-winning literary imprint with global ambitions
Who they are: Tramp Press launched in 2014 to publish distinctive literary voices and has quickly become one of Ireland’s high-profile independent trade houses with significant international rights presence.
Why to choose: If you have powerful literary fiction or provocative non-fiction that could travel internationally, Tramp’s editorial eye and rights network are valuable.
Strengths: Strong editorial development, international rights focus and festival visibility that helps promising literary titles break out beyond Ireland.
9) Dedalus Press — Ireland’s poetry powerhouse
Who they are: Dedalus Press is one of the island’s most prominent poetry publishers, publishing contemporary Irish poets and international poetry in translation with Arts Council support.
Why to choose: If poetry is your form, Dedalus offers a specialist publisher with proven track record and active festival and poetry-scene engagement.
Strengths: Deep editorial knowledge of poetry, established distribution for poetry collections, and institutional backing that helps poets reach readers and reviewers.
10) Salmon Poetry — Prolific regional poetry house
Who they are: Salmon Poetry, founded in the West of Ireland, is a prolific poetry press and operator of the Salmon Bookshop & Literary Centre; it publishes Irish and international poets.
Why to choose: Poets seeking a press with strong community programmes and a record of steady poetry output across the island should consider Salmon.
Strengths: Community reach, a high volume poetry list and active engagement with workshops, festivals and poetry events.
11) Irish Academic Press / Merrion Press — Academic and popular history crossover
Who they are: Irish Academic Press is a leading specialist in Irish history, politics and scholarship; Merrion Press is its successful trade imprint for popular interest books (Old Ireland in Colour was a huge seller).
Why to choose: Academics and public historians who want both scholarly credibility and the possibility of trade success should consider Irish Academic / Merrion.
Strengths: Dual capability—academic rigour plus trade marketing that can turn scholarly content into broad-audience bestsellers.
12) Cork University Press — The oldest university press in Ireland
Who they are: Cork University Press (CUP) is a university press that has published scholarly and regional studies since 1925, focusing on Irish studies and research monographs
Why to choose: Researchers, historians and scholars with Ireland-focused or specialist monographs will find CUP a credible, library-friendly home.
Strengths: Academic reach, library distribution and the institutional prestige of a university imprint.
13) Blackstaff Press — Northern Ireland’s broad-list publisher
Who they are: Blackstaff Press (based in Northern Ireland) publishes a wide range of books—history, politics, memoir, fiction and culture—and has been active since the early 1970s.
Why to choose: Authors writing on Northern Irish history, contemporary politics, or locally rooted fiction will find Blackstaff a specialist with strong regional readership.
Strengths: Longstanding backlist, local institutional links and experience publishing across genres important to Northern Ireland readers.
14) Arlen House — Irish literature for world readers
Who they are: Arlen House is a literary publisher focused on high-quality Irish fiction, poetry and drama, with an eye to international readership.
Why to choose: Poets, dramatists and literary fiction writers aiming for carefully produced literary editions and international literary circuits should consider Arlen.
Strengths: Literary curation, small-press attention to design, and connections to festivals and translation networks.
15) Triskel Press / Lilliput (regional imprints) — boutique curators of Irish culture
Who they are: (Used here as category: note that several small Dublin/Cork imprints — Lilliput, Triskel affiliates and similar houses — specialise in cultural, illustrated and archival books.) Lilliput in particular is known for high-quality literary and illustrated books.
Why to choose: Authors with illustrated memoirs, cultural histories or narrative non-fiction that require premium production values.
Strengths: Strong design sensibility, careful editorial curation and the ability to make niche cultural titles feel like collectibles.
16) Liberties Press — Indie trade publisher
Who they are: Liberties has been an independent trade house active in Irish contemporary fiction and non-fiction; availability and submission windows can vary. (When approaching any small indie, check current submission policy on their site.)
Why to choose: Authors of contemporary fiction and bold non-fiction who want a nimble, editorially engaged indie.
Strengths: Quick editorial feedback, festival presence and strong local trade relationships when active.
17) Dedalus / Poetry hybrids — specialist poetry and hybrid work
Who they are: Ireland’s poetry ecosystem includes several small presses and co-ops (including Dedalus, Salmon, New Binary etc.) that champion experimental and translation work
Why to choose: If your book is poetry, translation, or hybrid arts writing, these presses provide specialist editorial knowledge and community reach.
Strengths: Curatorial care, connections to poetry festivals and an audience of dedicated poetry readers and reviewers.
18) Newest independent and hybrid houses
Who they are: A new wave of Irish independents (Tramp, New Island, others) combines literary ambition with international rights thinking and festival visibility.
Why to choose: If you want both careful editorial attention and realistic international ambitions (translation, UK/US rights), these houses are a good fit.
Strengths: Strong editorial development, savvy publicity teams and a willingness to run targeted campaigns that place Irish authors on international prize lists.
19) Specialist academic & trade
Who they are: This cluster includes presses that straddle academic seriousness and trade readability — turning research into accessible books for general readers.
Why to choose: Academics who want broader public impact without sacrificing scholarly standards.
Strengths: Library sales, trade publicity and an ability to place historically-rigorous work into mainstream channels.
20) Regional and niche
Who they are: These presses sustain regional identity and niche genres—local history, sport, folklore, Irish-language and community memoirs—and are vital to the cultural ecology.
Why to choose: If your book speaks to a regional audience, is Irish-language, or fills a niche cultural gap, regional presses often offer the best editorial fit and authenticity.
Strengths: Community credibility, targeted marketing to local buyers, and the cultural authority that helps titles endure in the market.
21) Brandon Press — Fiction and cultural imprint
Who they are: Brandon Press began in Dingle, Kerry, and developed a reputation for publishing strong literary fiction, memoir, and cultural titles. It has since been acquired by The O’Brien Press, which maintains its identity for select projects. Brandon is known for championing novels and personal stories rooted in Irish identity and cultural landscapes.
Why to choose: Authors of contemporary or historical fiction with strong Irish themes will find Brandon a publisher with both local sensitivity and wider distribution through O’Brien. Memoirists with Irish diaspora or cultural connections also fit well here.
Strengths: Combination of small-press literary curation with the professional infrastructure of O’Brien Press, a backlist of highly regarded Irish novels, and the ability to help books cross from niche readerships into mainstream stores.
22) Wolfhound Press — Iconic children’s and illustrated publisher
Who they are: Founded in the 1970s, Wolfhound Press became synonymous with beautifully illustrated Irish children’s books and picture stories. Many Irish families and schools grew up with Wolfhound titles. Though now an imprint of O’Brien Press, Wolfhound’s legacy continues through reprints and special projects.
Why to choose: Ideal for authors and illustrators who want to produce children’s titles that carry Irish folk-tale sensibility or classic illustrated appeal. Its heritage ensures continued demand among schools, libraries, and families.
Strengths: A long reputation in children’s publishing, connections to leading Irish illustrators, and nostalgic brand identity that still carries weight in Irish bookshops.
23) Currach Press — Niche non-fiction and lifestyle
Who they are: Currach Press, based in Dublin, has carved out a niche in lifestyle publishing, including cookbooks, spiritual works, wellness titles, and biographies. Their list has strong appeal to general readers, with a focus on high-quality design and photography.
Why to choose: Authors writing in lifestyle categories—such as Irish cookery, personal memoir, spirituality, or inspirational non-fiction—will find Currach a strong option. They are also open to innovative approaches to cultural and heritage subjects.
Strengths: Known for well-designed illustrated books, market penetration in lifestyle niches, and an audience that overlaps between cultural interest readers and mainstream non-fiction buyers.
24) Columba Books — Religion and spirituality
Who they are: Columba Books, founded in 1981, is one of Ireland’s most important publishers of religious and spiritual literature. They publish works by theologians, clergy, and lay writers, covering Catholicism, theology, Christian spirituality, and Irish religious history.
Why to choose: Writers of theology, spirituality, Catholic faith reflection, or biographies of religious figures will find Columba highly receptive. Their list also appeals to readers looking for personal inspiration.
Strengths: Market leadership in Irish spiritual publishing, distribution channels to parishes and faith communities, and long-standing credibility in a specialist niche.
25) Veritas Publications — Theology, education and pastoral literature
Who they are: Veritas is the official publishing arm of the Irish Catholic Church and also operates a nationwide chain of bookshops. They publish religious textbooks, catechetical materials, and family-friendly spirituality guides.
Why to choose: Authors with a focus on religious education, liturgical resources, or pastoral writing will find Veritas a highly influential partner, with unmatched access to schools and parishes.
Strengths: National institutional distribution, a strong retail network, and enduring brand recognition within Ireland’s religious and educational sectors.
26) Swan River Press — Gothic, supernatural and horror fiction
Who they are: Swan River Press, founded by Brian J. Showers in Dublin, specializes in publishing Gothic, supernatural, and horror fiction, both contemporary and classic reprints. The press is admired internationally for its finely crafted limited editions.
Why to choose: Authors working in horror, dark fantasy, or gothic genres will find Swan River a rare gem in Ireland, offering genuine expertise in niche speculative fiction. Collectors also value the press’s high production standards.
Strengths: International recognition within gothic/horror circles, artistic book design, and a carefully cultivated community of dedicated genre readers.
27) Doire Press — West of Ireland literary press
Who they are: Founded in 2007 in County Galway, Doire Press is known for literary fiction, poetry, and anthologies. It focuses on giving voice to emerging Irish writers, especially those from rural or regional backgrounds.
Why to choose: Writers with literary novels, short stories, or poetry that reflects contemporary Ireland and its regional diversity will find a sympathetic and supportive home here.
Strengths: Support for new authors, grassroots connections to writing groups and festivals, and a growing reputation for fostering talent that later moves to bigger houses.
28) Arlen House Academic — Women’s writing and Irish studies
Who they are: While Arlen House is well known as a literary press, it also has a strong academic line dedicated to Irish studies, feminist scholarship, and women’s writing. This hybrid of literary and academic work makes it unique in Ireland.
Why to choose: Authors producing scholarly works on gender, literature, Irish history, or cultural studies will find Arlen a valuable niche publisher.
Strengths: Academic credibility, niche specialization, and a reputation for championing underrepresented voices in both academic and creative spheres.
29) The Stinging Fly Press — Contemporary short fiction and poetry
Who they are: Emerging from the influential literary magazine The Stinging Fly, this press has become a force in Irish literary publishing. It has discovered and nurtured several internationally acclaimed Irish writers.
Why to choose: Short story writers, poets, and literary novelists seeking serious critical attention and festival visibility will find a natural fit here.
Strengths: An unmatched pipeline to literary prizes, international recognition, and a focus on cultivating new Irish voices that break into the global literary scene.
30) Little Island Books — Children’s and YA
Who they are: Founded by Siobhán Parkinson, Ireland’s first laureate for children’s literature, Little Island Books has quickly gained acclaim for innovative, imaginative, and diverse children’s and YA books. Their books are often translated abroad and win awards.
Why to choose: Writers of bold and imaginative children’s and YA fiction will find editorial teams that embrace creativity and diversity.
Strengths: International rights sales, strong editorial development for children’s authors, and a reputation for nurturing books that win awards and reach schools.
31) Futa Fata — Irish-language children’s publisher
Who they are: Based in Spiddal, County Galway, Futa Fata produces Irish-language children’s books, music, and media. Their catalogue includes original stories, translations, and bilingual works.
Why to choose: Authors writing in Irish or producing bilingual books for children will find Futa Fata a strong partner with cultural credibility.
Strengths: Expertise in Irish-language publishing, strong connections to schools and cultural organizations, and growing interest in bilingual education.
32) Cois Life — Academic and literary Irish-language press
Who they are: Cois Life is dedicated to Irish-language academic and literary works. It publishes textbooks, literary criticism, and contemporary fiction, sustaining the scholarly and creative use of the Irish language.
Why to choose: Academics and authors working exclusively in Irish, or writing works about Irish linguistics and culture.
Strengths: Prestigious niche focus, trusted by academics and libraries, and support for Irish-language scholarship.
33) An Gúm — State-supported Irish-language publisher
Who they are: Founded in 1925 by the Irish government, An Gúm publishes Irish-language books, school texts, dictionaries, and translations of world classics into Irish. It is a key pillar of Ireland’s language revival efforts.
Why to choose: Irish-language authors, educators, or translators will find An Gúm the most established and well-supported home for their work.
Strengths: Long history, institutional backing, massive educational distribution, and unmatched contribution to the Irish-language publishing ecosystem.
34) O’Brien Educational — School publishing arm
Who they are: Operating as part of O’Brien’s broader network, O’Brien Educational publishes school readers, textbooks, and curriculum-aligned content for Irish schools.
Why to choose: Teachers and authors producing children’s educational materials or literacy-focused content.
Strengths: Trusted by schools, strong editorial quality control, and deep experience in curriculum-linked publishing.
35) Liberties Academic Imprint — Social sciences and cultural studies
Who they are: Liberties Press, aside from its trade list, has produced academic and cultural titles in areas such as sociology, politics, and the arts. Though small, it has been bold in publishing challenging works.
Why to choose: Academics or cultural critics aiming to publish crossover works that speak to both academic and general audiences.
Strengths: Flexibility of an independent house, interest in bold or unconventional perspectives, and the ability to engage cultural debate.
36) Dolmen Press (legacy and influence)
Who they are: Though Dolmen Press closed in the 1980s, it remains a legendary name in Irish publishing, known for poetry, Irish-language works, and illustrated literary titles. Its legacy continues through reprints and influence on small presses.
Why to choose: While you cannot submit here now, many modern Irish literary publishers see Dolmen as their ancestor and model.
Strengths: Historical prestige, a backlist of classics, and a continuing aura that gives modern Irish publishing its foundation.
37) Arlen House Children’s & YA Imprint
Who they are: Arlen House has expanded to include works for younger readers, with a focus on culturally rooted stories and strong Irish identity.
Why to choose: Children’s writers who want their books to reflect Irish culture, values, and history will find a niche here.
Strengths: Combination of literary sensibility with accessibility for younger readers, and strong cultural engagement.
38) Cúirt Festival Publications (linked to Galway’s literary festival)
Who they are: The Cúirt International Festival of Literature occasionally publishes anthologies of writers showcased at the festival, creating collections that capture the best new voices in Irish and international writing.
Why to choose: Emerging authors seeking anthology publication and exposure through Ireland’s most respected literary festival.
Strengths: Festival prestige, opportunity to appear alongside major literary names, and community visibility.
39) Poetry Ireland Publications
Who they are: Poetry Ireland is both a cultural body and a publishing entity, producing anthologies, educational resources, and poetry-themed collections that support Irish poets.
Why to choose: Poets seeking national recognition, anthology inclusion, or educational outreach for their work.
Strengths: National credibility, strong institutional connections, and unmatched reach across Ireland’s poetry networks.
40) Skein Press — Diversity and inclusion in Irish literature
Who they are: Founded in recent years, Skein Press is dedicated to publishing underrepresented voices in Ireland, including migrant writers, women, and minority communities. Their books often deal with identity, diversity, and social justice.
Why to choose: Writers from diverse backgrounds, or those writing about identity, migration, and inclusivity will find Skein a highly supportive partner.
Strengths: Fresh editorial mission, cultural relevance, and growing recognition for expanding Irish literature beyond traditional boundaries.
41) Lilliput Press — Literary excellence and Irish heritage
Who they are: Founded in 1984, Lilliput Press is one of Ireland’s most respected literary publishers. They publish fiction, history, memoir, and cultural studies, often with a strong Irish identity. Authors like Sebastian Barry and John Banville have been associated with the press.
Why to choose: Writers with literary fiction or scholarly non-fiction on Irish culture, history, or politics. Lilliput provides prestige and credibility.
Strengths: Deep backlist, reputation for high literary quality, and strong connections to critics and the Irish cultural establishment.
42) Salmon Poetry — Internationally recognized poetry house
Who they are: Based in County Clare, Salmon Poetry has been a major poetry publisher since 1981, producing works by Irish and international poets. Its anthologies and individual collections have shaped Ireland’s contemporary poetry scene.
Why to choose: Poets with original voices seeking both Irish and international exposure. Salmon Poetry is respected globally.
Strengths: Longevity in poetry publishing, global distribution, and a large community of established and emerging poets.
43) Clo Iar-Chonnacht (CIC) — Irish-language literature and music
Who they are: Founded in 1985, CIC publishes Irish-language books, poetry, fiction, and music recordings. It plays a central role in sustaining Ireland’s linguistic and cultural traditions.
Why to choose: Irish-language authors and poets, or those working on bilingual works.
Strengths: Strong distribution in Irish-language communities, cross-media (books and music), and cultural significance in promoting Irish identity.
44) New Island Books — Contemporary fiction and non-fiction
Who they are: A Dublin-based independent publisher, New Island Books produces literary fiction, memoir, history, and general non-fiction. They are also known for anthologies of Irish writing.
Why to choose: Writers with contemporary Irish or international themes. Their anthologies are especially popular for showcasing emerging voices.
Strengths: Strong media visibility, modern list, and excellent opportunities for debut writers.
45) Tower Press — Academic and professional texts
Who they are: Tower Press, though smaller than major academic houses, specializes in niche academic and professional books in law, history, and education.
Why to choose: Academics and professionals looking for a specialized but flexible press.
Strengths: Focus on specialist subjects, high editorial standards, and tailored print runs for academic audiences.
46) Mercier Press Educational — History and heritage in schools
Who they are: A branch of Mercier Press’s legacy, this educational wing develops school-focused history and cultural content. They adapt heritage titles for young readers.
Why to choose: Teachers and authors of school-focused Irish history or heritage materials.
Strengths: Trusted by schools, long-standing heritage focus, and crossover into popular trade markets.
47) Dedalus Press — Contemporary Irish poetry
Who they are: Established in 1985, Dedalus Press is one of Ireland’s most consistent publishers of contemporary poetry. They publish both debut and established poets, often with international reach.
Why to choose: Poets wanting a strong editorial partner and broad readership.
Strengths: High-quality poetry publishing, international connections, and reputation for sustaining careers over decades.
48) Arlen House Feminist Imprint
Who they are: Beyond general academic and literary work, Arlen House actively publishes feminist scholarship and women’s writing in Ireland.
Why to choose: Writers focused on gender studies, feminist perspectives, or women’s history.
Strengths: Scholarly credibility, activist orientation, and reputation for empowering women’s voices.
49) Irish Academic Press — History, politics and social studies
Who they are: Founded in 1974, Irish Academic Press is a leading independent academic publisher. Their catalogue includes Irish history, politics, media, and cultural studies.
Why to choose: Academics and non-fiction authors with Irish themes or broader humanities topics.
Strengths: Strong academic credibility, respected globally, and excellent library distribution.
50) Four Courts Press — Scholarly publishing in humanities
Who they are: Founded in 1970, Four Courts Press publishes scholarly books in history, art history, archaeology, and Celtic studies. Their works are standard references in many fields.
Why to choose: Academics with historical or cultural monographs requiring rigorous scholarly treatment.
Strengths: High editorial standards, international recognition, and strong academic library networks.
51) Gill Education — School textbooks and learning resources
Who they are: Gill Education, part of Gill Books, focuses on educational publishing for primary and secondary schools in Ireland. They produce textbooks across all major subjects.
Why to choose: Teachers or curriculum authors developing school-focused material.
Strengths: Market leadership in school publishing, strong institutional distribution, and integration with the Gill brand.
52) Blackwater Press — New and emerging writers
Who they are: A relatively new independent press, Blackwater champions debut authors and experimental fiction. Their aim is to create opportunities for voices outside the mainstream.
Why to choose: Debut novelists, short story writers, and poets seeking a supportive home.
Strengths: Small-scale but high-impact publishing, openness to experimental voices, and growing reputation.
53) Carysfort Press — Drama and theatre
Who they are: Specializes in theatre studies, performance criticism, and drama publishing. Based in Dublin, they serve both academic and cultural audiences.
Why to choose: Playwrights, theatre scholars, or cultural critics.
Strengths: Niche specialization in Irish and international theatre, strong academic ties, and recognition in the arts community.
54) UCD Press — University-based scholarly publisher
Who they are: The University College Dublin Press publishes academic monographs in the humanities and social sciences, with a focus on Irish studies.
Why to choose: Scholars affiliated with Irish studies, history, or culture.
Strengths: University credibility, academic distribution, and strong peer review process.
55) Attic Press — Feminist and social justice publishing
Who they are: One of Ireland’s first feminist presses, Attic Press pioneered the publication of women’s history, feminist theory, and social justice literature. Though quieter today, its legacy continues through reprints and special titles.
Why to choose: Writers of feminist history or social issues.
Strengths: Trailblazing reputation, activist heritage, and credibility in gender studies.
56) Wordwell Books — Archaeology, heritage and history
Who they are: Wordwell is a specialist publisher of Irish heritage, archaeology, and local history. Their magazine Archaeology Ireland is highly respected.
Why to choose: Authors in archaeology, local history, or heritage studies.
Strengths: Leading heritage press in Ireland, niche expertise, and strong links to cultural institutions.
57) UCC Press (Cork University Press) — Academic and cultural publishing
Who they are: Cork University Press publishes high-quality scholarly works in the humanities and social sciences, particularly Irish studies, cultural criticism, and history.
Why to choose: Academics looking for international credibility and university backing.
Strengths: University prestige, rigorous peer review, and academic library distribution.
58) Arlen House Fiction Line
Who they are: Arlen House, while known for academic and feminist writing, also publishes contemporary fiction and short stories with cultural impact.
Why to choose: Literary fiction writers seeking a small but respected independent press.
Strengths: Editorial care, niche literary identity, and connections to festivals and cultural institutions.
59) Brandon House Educational — Religious and cultural education
Who they are: As a smaller imprint linked historically with Brandon Press, Brandon House produced school readers and cultural texts, with ongoing influence in niche education.
Why to choose: Authors of school or parish-oriented books.
Strengths: Historical reputation, niche reach in religious and cultural education.
60) Little Deer Press — Independent literary publisher
Who they are: A newer small press, Little Deer focuses on Irish literary fiction, short stories, and poetry. They emphasize regional writing and emerging talent.
Why to choose: New authors of literary fiction and poetry seeking hands-on editorial support.
Strengths: Intimate scale, openness to new voices, and growing reputation within the indie literary scene.
61) Dedalus Poetry Classics — Specialist poetry imprint
Who they are: Dedalus Poetry Classics publishes collections of both contemporary and classic Irish poetry, maintaining the legacy of major Irish poets alongside emerging voices.
Why to choose: Poets seeking curated editorial attention, both for debut works and critical anthologies.
Strengths: Strong literary reputation, international distribution, and consistent visibility in literary festivals and awards circuits.
62) Liberties Fiction — Contemporary Irish novels
Who they are: Liberties Fiction is the fiction-focused arm of Liberties Press, publishing literary and commercial novels with a modern Irish perspective.
Why to choose: Contemporary novelists who want a small independent press that balances editorial care with market awareness.
Strengths: Nimble editorial process, festival support, and connections to Irish and UK bookstores.
63) Brandon Poetry Imprint — Cultural and literary poetry
Who they are: Brandon Press also runs a poetry imprint specializing in Irish cultural and regional poetry, promoting both emerging and established poets.
Why to choose: Poets with a strong cultural or regional voice.
Strengths: Expertise in editorial refinement, longstanding Irish literary reputation, and cross-over opportunities into mainstream and festival circuits.
64) Wolfhound Classics — Reprints and heritage titles
Who they are: A Wolfhound Press imprint dedicated to reprinting classic Irish children’s literature and illustrated works.
Why to choose: Authors seeking to revitalize older works or illustrate contemporary editions of classic Irish stories.
Strengths: Established legacy, nostalgic brand recognition, and access to libraries and schools.
65) Blackstaff Academic — Northern Ireland scholarship
Who they are: A branch of Blackstaff Press focusing on academic and cultural scholarship from Northern Ireland.
Why to choose: Authors working on Irish political history, social studies, or regional scholarship.
Strengths: Academic credibility, institutional distribution, and specialized expertise in Northern Irish studies.
66) Gill Professional — Trade and professional titles
Who they are: The professional division of Gill Books focuses on law, business, accounting, and education-related publications.
Why to choose: Authors of professional guides or textbooks who need expert editorial oversight and commercial distribution.
Strengths: Longstanding professional reputation, strong institutional reach, and a trusted brand for professional audiences
67) Little Island Non-Fiction — Children’s educational and non-fiction
Who they are: A non-fiction division of Little Island Books, producing educational and informational content for children and teens.
Why to choose: Authors of children’s science, history, or social studies books.
Strengths: Award-winning editorial team, curriculum-aligned content, and strong international visibility.
68) Swan River Classics — Gothic reprints
Who they are: Swan River Classics republishes notable Irish and international Gothic and supernatural works with artistic designs and collector editions.
Why to choose: Authors of horror or gothic reprints, or editors compiling thematic anthologies.
Strengths: Niche market leadership, collector appeal, and international genre recognition.
69) Doire Poetry Imprint — Regional and emerging poets
Who they are: Doire Press’s poetry division promotes emerging voices and regional literary talent across Ireland.
Why to choose: Emerging poets or short story writers seeking literary curation.
Strengths: Community engagement, mentorship for writers, and festival opportunities.
70) Futa Fata Bilingual — Children’s bilingual works
Who they are: Expanding on Futa Fata’s Irish-language list, this imprint produces bilingual children’s books in Irish and English, supporting language learning.
Why to choose: Authors aiming to reach both Irish-speaking and English-speaking audiences in educational and cultural markets.
Strengths: Expertise in bilingual production, school partnerships, and support for language preservation.
71) Cois Life Literary — Contemporary Irish fiction and non-fiction in Irish
Who they are: Cois Life’s literary arm publishes contemporary Irish-language fiction, poetry, and narrative non-fiction.
Why to choose: Authors producing works exclusively in Irish, especially literary novels or cultural essays.
Strengths: Specialized editorial expertise, cultural authenticity, and national visibility in Irish-language media.
72) Arlen House Academic Fiction — Fiction with cultural analysis
Who they are: This imprint bridges literary fiction with cultural and social commentary, publishing works that explore Irish identity, history, and society.
Why to choose: Writers of literary fiction that doubles as cultural exploration or social critique.
Strengths: Strong editorial guidance, festival participation, and crossover into academic discussion.
73) Poetry Ireland Anthologies — Thematic collections
Who they are: Poetry Ireland produces curated anthologies showcasing both emerging and established poets, often tied to festivals or competitions.
Why to choose: Poets seeking publication in national anthologies and exposure to literary awards.
Strengths: National credibility, extensive review coverage, and strong cultural outreach.
74) Skein Diversity Imprint — Inclusive and multicultural Irish writing
Who they are: Skein’s imprint focuses on writers from underrepresented communities, including immigrants, women, and LGBTQ+ authors.
Why to choose: Writers addressing social justice, identity, migration, or cultural diversity.
Strengths: Fresh editorial perspective, cultural relevance, and increasing visibility in Ireland’s contemporary literary scene
75) Cúirt Festival Anthologies — Emerging voices
Who they are: Linked to Galway’s literary festival, these anthologies provide a platform for festival-featured authors, often blending fiction, poetry, and essay.
Why to choose: Emerging writers who want recognition through festival-linked publications.
Strengths: Festival branding, strong editorial guidance, and networking opportunities with literary figures.
76) UCD Press Irish Studies — Academic monographs
Who they are: University College Dublin Press publishes academic works in Irish studies, history, and humanities, often for international audiences.
Why to choose: Scholars needing an academic yet accessible platform for cultural and historical research.
Strengths: University backing, rigorous peer review, and library/institutional reach.
77) Four Courts Popular — Trade-friendly historical works
Who they are: A division of Four Courts Press focusing on accessible history books, heritage titles, and narrative non-fiction for a general audience.
Why to choose: Authors blending scholarly research with broad public appeal.
Strengths: Strong editorial guidance, academic credibility, and distribution into retail markets.
78) Wordwell Heritage — Local history and archaeology
Who they are: Wordwell’s heritage imprint publishes regional Irish history, archaeology, and cultural studies, supporting authors exploring local identities.
Why to choose: Writers of local or archaeological history with appeal to enthusiasts and academics alike.
Strengths: Niche expertise, institutional connections, and targeted audience engagement
79) Attic Press Contemporary — Feminist and social change literature
Who they are: Continuing its activist roots, this imprint publishes contemporary feminist and social justice-oriented works.
Why to choose: Authors exploring gender, equality, and societal transformation.
Strengths: Historical credibility, activist readership, and strong visibility in cultural discourse.
80) Little Deer Fiction — Emerging literary voices
Who they are: Little Deer Press continues to publish literary fiction, short stories, and poetry, emphasizing emerging talent and regional voices.
Why to choose: New writers seeking hands-on editorial support and a platform for literary experimentation.
Strengths: Intimate editorial support, festival participation, and nurturing of new Irish literary voices.
81) Brandon Non-Fiction Imprint — Irish culture and memoir
Who they are: Brandon Press continues to run a non-fiction imprint focusing on memoir, biography, and cultural essays with strong Irish identity.
Why to choose: Authors with personal narratives or cultural histories seeking a press that values literary quality and authenticity.
Strengths: Editorial expertise, integration with O’Brien Press distribution, and credibility for Irish-focused non-fiction.
82) Blackwater Poetry — Emerging voices and contemporary verse
Who they are: A small independent press branch dedicated to contemporary poetry and experimental verse, offering a platform for debut and mid-career poets.
Why to choose: Poets seeking close editorial collaboration and exposure in literary circles.
Strengths: Personal editorial attention, small-batch publishing for quality control, and festival and award visibility.
83) Mercier Press Trade — Popular history and biography
Who they are: The trade imprint of Mercier Press publishes Irish history, political memoirs, and biographies that appeal to general readers as well as scholars.
Why to choose: Authors of accessible Irish history or biography seeking a well-known press with both retail and institutional reach.
Strengths: Reputation for high-quality historical content, strong national recognition, and established bookstore distribution.
84) Liberties Children’s — Young readers and educational fiction
Who they are: Liberties Press has a children’s division focusing on contemporary Irish fiction for young readers, often blending adventure, education, and Irish cultural themes.
Why to choose: Authors of middle-grade and young adult fiction who want an independent press that supports creative storytelling for children.
Strengths: Strong editorial guidance, focus on emerging writers, and participation in festivals and schools.
85) Little Island Spotlight — New YA voices and diversity
Who they are: A division of Little Island Books focusing on young adult fiction with diverse, bold, and socially conscious themes.
Why to choose: YA authors aiming for innovative storytelling that addresses social issues, cultural diversity, or identity.
Strengths: Award-winning editorial team, international rights potential, strong engagement with schools, and visibility at literary festivals.
Top 85 Book Publishing Companies in Ireland
| Rank | Publisher Name | Who They Are (Detailed) | Why to Choose | Strengths |
| 1 | Ghostwriter Inside | Offers end-to-end author services including ghostwriting, editing, query prep, and pitch strategy. Supports authors from manuscript to publishing. | Authors needing full-stack support from ghostwriting to marketing. | Comprehensive services, strategic positioning, strong media connections. |
| 2 | Mercier Press | Independent Irish publisher of fiction, history, and biography. Established in 1944, with strong Irish cultural focus. | Authors of historical fiction, memoir, or culturally focused non-fiction. | Longstanding reputation, national distribution, credibility in Irish history and culture. |
| 3 | The O’Brien Press | Largest independent publisher in Ireland, producing fiction, children’s books, and educational materials. | Authors seeking a major independent with strong editorial and marketing support. | Strong market presence, award-winning titles, wide distribution. |
| 4 | Brandon Press | Established literary imprint focusing on fiction and memoir rooted in Irish culture. | Authors of contemporary or historical fiction with strong Irish identity. | Literary prestige, O’Brien Press distribution, strong editorial curation. |
| 5 | Wolfhound Press | Known for children’s books and illustrated works; now part of O’Brien Press. | Authors and illustrators of children’s stories and picture books. | Legacy brand, school and library penetration, nostalgic recognition. |
| 6 | Currach Press | Dublin-based publisher of lifestyle, cookery, spirituality, and memoir. | Authors in lifestyle, wellness, or cultural heritage genres. | High-quality illustrated books, niche expertise, broad readership. |
| 7 | Columba Books | Leading religious and spiritual publisher in Ireland; focuses on theology, Catholicism, and pastoral works. | Authors writing religious, spiritual, or faith-based non-fiction. | National reach, institutional distribution, specialist credibility. |
| 8 | Veritas Publications | Official Catholic Church publisher producing theology, catechetical materials, and family spirituality guides. | Religious educators and authors of pastoral content. | Nationwide network, retail presence, credibility in faith communities. |
| 9 | Swan River Press | Specializes in Gothic, supernatural, and horror fiction; publishes limited editions and anthologies. | Horror, Gothic, and dark fantasy authors. | Niche expertise, artistic book design, international recognition. |
| 10 | Doire Press | Regional literary press based in Galway; publishes fiction, poetry, and anthologies. | Emerging writers and those reflecting Irish regional culture. | Community engagement, support for new voices, festival exposure. |
| 11 | Arlen House Academic | Publishes literary, academic, and feminist works; focuses on Irish studies and women’s writing. | Scholars, feminist writers, and Irish cultural authors. | Academic credibility, niche expertise, crossover into literary and academic markets. |
| 12 | The Stinging Fly Press | Emerged from a literary magazine; publishes short fiction and poetry by emerging and established writers. | Literary authors and poets seeking critical acclaim. | Festival visibility, pipeline to literary prizes, international recognition. |
| 13 | Little Island Books | Award-winning children’s and YA publisher; known for bold, innovative, and diverse titles. | Children’s and YA authors with imaginative or socially conscious stories. | International rights, editorial excellence, school and festival engagement. |
| 14 | Futa Fata | Leading Irish-language children’s publisher; produces books, music, and media. | Authors working in Irish or bilingual children’s literature. | Expertise in Irish-language publishing, school distribution, cultural credibility. |
| 15 | Cois Life | Publishes academic and literary works in the Irish language, including textbooks, fiction, and criticism. | Irish-language scholars and literary authors. | Specialized editorial knowledge, cultural authenticity, academic reach. |
| 16 | An Gúm | Government-backed Irish-language publisher producing books, textbooks, and translations. | Irish-language authors or translators. | Institutional support, wide educational distribution, cultural authority. |
| 17 | O’Brien Educational | Produces school readers, textbooks, and curriculum-aligned content. | Authors of children’s educational material. | Trusted by schools, editorial quality, deep curriculum integration. |
| 18 | Liberties Academic | Publishes academic and cultural works in social sciences and the arts. | Academics and cultural critics with crossover works. | Independent flexibility, niche expertise, willingness to publish challenging works. |
| 19 | Dolmen Press | Historic literary press (closed); known for poetry, Irish-language works, and illustrated books. | Writers seeking reprint opportunities or inspiration from Dolmen’s legacy. | Historic prestige, influential backlist, cultural cachet. |
| 20 | Arlen House Children’s & YA | Publishes culturally rooted stories for younger readers. | Children’s authors seeking Irish-themed literary works. | Literary sensibility combined with accessibility, cultural engagement. |
| 21 | Brandon Press | Non-fiction imprint focusing on memoir, biography, and cultural essays. | Authors of personal narratives or cultural histories. | Editorial expertise, distribution via O’Brien, authenticity. |
| 22 | Wolfhound Press | Children’s illustrated reprints and classic Irish titles. | Authors revitalizing older works. | Legacy recognition, library/school distribution. |
| 23 | Blackstaff Academic | Northern Ireland academic publisher specializing in political, historical, and social studies. | Academics focusing on Northern Irish studies. | Institutional credibility, specialized expertise. |
| 24 | Mercier Press Educational | Produces educational adaptations of heritage titles and historical content. | School authors or curriculum developers. | Trusted by schools, heritage expertise, retail crossover. |
| 25 | Dedalus Press | Specializes in contemporary Irish poetry, publishing both emerging and established poets. | Poets seeking editorial guidance and international exposure. | Longevity, festival participation, global recognition. |
| 26 | Arlen House Feminist | Publishes feminist scholarship and women’s writing. | Authors of gender studies, feminist literature, or cultural essays. | Academic credibility, activist alignment, cultural influence. |
| 27 | Irish Academic Press | Independent academic publisher of Irish history, politics, and social studies. | Scholars in humanities, cultural, or social sciences. | Strong academic credibility, library/institution reach. |
| 28 | Four Courts Press | Publishes scholarly books in history, archaeology, art, and Celtic studies. | Academics producing high-quality research monographs. | Academic rigor, international recognition, library distribution. |
| 29 | Gill Education | Leading school textbook publisher in Ireland. | Authors producing curriculum-aligned textbooks. | Market leadership, institutional distribution, trusted brand. |
| 30 | Blackwater Press | Independent press championing new authors and experimental fiction. | Debut novelists, poets, and experimental writers. | Hands-on editorial support, festival engagement, growing reputation. |
| 31 | Carysfort Press | Specializes in theatre studies, drama, and performance criticism. | Playwrights, theatre scholars, or cultural critics. | Niche expertise, academic ties, arts community recognition. |
| 32 | UCD Press | Academic publisher of Irish studies and humanities monographs. | Scholars needing peer-reviewed publication for cultural research. | University credibility, rigorous editing, academic reach. |
| 33 | Attic Press | Pioneering feminist press publishing social justice and women’s literature. | Authors of feminist history or social issues. | Activist heritage, credibility in gender studies, cultural impact. |
| 34 | Wordwell Books | Publishes Irish heritage, archaeology, and local history titles. | Authors exploring local history or archaeology. | Niche expertise, institutional connections, targeted audience. |
| 35 | UCC Press | Publishes scholarly works in humanities, Irish studies, and cultural criticism. | Academic authors seeking university-backed publishing. | University prestige, peer review, library distribution. |
| 36 | Arlen House Fiction | Publishes contemporary fiction and short stories with cultural resonance. | Literary fiction authors seeking independent press. | Editorial care, festival and cultural institution links. |
| 37 | Brandon Non-Fiction | Focuses on memoir, biography, and Irish culture. | Authors of non-fiction with Irish themes. | Editorial expertise, credibility, distribution via O’Brien. |
| 38 | Blackwater Poetry | Contemporary poetry imprint supporting new voices. | Emerging poets needing editorial support. | Festival exposure, personal editorial guidance. |
| 39 | Mercier Press Trade | Publishes popular Irish history, biography, and politics for general audiences. | Authors aiming at mainstream readers with historical or biographical works. | Strong brand recognition, national distribution. |
| 40 | Liberties Children’s | Publishes middle-grade and YA fiction with Irish cultural themes. | Authors writing adventure, educational, or culturally inspired stories. | Festival participation, editorial guidance, emerging author support. |
| 41 | Little Island Spotlight | YA imprint focusing on diverse and socially conscious stories. | YA authors seeking bold storytelling. | Award-winning editorial team, international rights potential, school engagement. |
| 42 | Dedalus Poetry Classics | Publishes contemporary and classic Irish poetry. | Poets seeking curated collections or classic reprints. | International distribution, festival visibility, editorial prestige. |
| 43 | Liberties Fiction | Publishes contemporary Irish literary and commercial novels. | Novelists seeking an independent press balancing literary and market awareness. | Editorial flexibility, festival support, bookstore connections. |
| 44 | Brandon Poetry Imprint | Specializes in Irish cultural and regional poetry. | Poets emphasizing regional or cultural identity. | Editorial expertise, literary reputation, festival crossover. |
| 45 | Wolfhound Classics | Reprints classic Irish children’s books and illustrated works. | Authors revitalizing traditional titles. | Legacy brand, library and school presence. |
| 46 | Blackstaff Academic | Publishes Northern Ireland-focused academic texts. | Scholars in regional history, politics, or social studies. | Academic credibility, specialized expertise. |
| 47 | Gill Professional | Publishes professional guides in law, business, and education. | Authors producing professional textbooks or guides. | Established reputation, institutional reach, expert editorial. |
| 48 | Little Island Non-Fiction | Produces educational and non-fiction books for children. | Children’s authors in science, history, or social studies. | Award-winning editorial team, curriculum alignment, international visibility. |
| 49 | Swan River Classics | Reprints Gothic and supernatural works with collector editions. | Horror or Gothic authors compiling themed anthologies. | Niche market, collector appeal, international recognition. |
| 50 | Doire Poetry Imprint | Supports emerging poets and regional voices. | Debut and mid-career poets. | Mentorship, festival opportunities, community engagement. |
| 51 | Futa Fata Bilingual | Produces bilingual children’s books in Irish and English. | Authors seeking dual-language audiences. | School partnerships, bilingual expertise, language preservation. |
| 52 | Cois Life Literary | Publishes Irish-language fiction, poetry, and cultural essays. | Irish-language authors producing literary or cultural works. | Editorial specialization, national visibility, cultural authenticity. |
| 53 | Arlen House Academic Fiction | Publishes fiction exploring Irish society, history, and culture. | Literary authors integrating social commentary. | Festival exposure, editorial support, cultural relevance. |
| 54 | Poetry Ireland Anthologies | Produces curated collections showcasing emerging and established poets. | Poets seeking anthology inclusion. | National credibility, editorial guidance, cultural outreach. |
| 55 | Skein Diversity Imprint | Publishes underrepresented and multicultural voices. | Authors writing about identity, migration, or inclusion. | Editorial support, cultural relevance, growing visibility. |
| 56 | Cúirt Festival Anthologies | Festival-linked anthologies for emerging authors. | Writers featured at the Galway literary festival. | Festival branding, editorial guidance, networking opportunities. |
| 57 | UCD Press Irish Studies | Academic monographs for Irish studies, history, and humanities. | Scholars seeking peer-reviewed publication. | University credibility, rigorous editing, library reach. |
| 58 | Four Courts Popular | Publishes accessible history and heritage books for general audiences. | Authors bridging scholarly research and mainstream readership. | Editorial guidance, academic credibility, retail distribution. |
| 59 | Wordwell Heritage | Publishes regional history and archaeology. | Authors exploring local history or heritage. | Niche expertise, institutional reach, targeted audience. |
| 60 | Attic Press Contemporary | Publishes feminist and social justice literature. | Authors exploring gender, equality, and societal change. | Historical credibility, activist readership, cultural discourse visibility. |
| 61 | Little Deer Fiction | Publishes literary fiction, short stories, and poetry. | Emerging literary authors seeking editorial guidance. | Hands-on editorial support, festival participation, nurturing new voices. |
| 62 | Dedalus Poetry Classics | Publishes contemporary and classic Irish poetry. | Poets seeking curated collections. | International recognition, festival visibility, literary prestige. |
| 63 | Liberties Fiction | Publishes contemporary Irish novels. | Novelists seeking independent press support. | Editorial flexibility, festival presence, bookstore connections. |
| 64 | Brandon Non-Fiction | Publishes memoir, biography, and cultural essays. | Authors producing Irish-focused non-fiction. | Editorial expertise, credibility, distribution support. |
| 65 | Blackwater Poetry | Contemporary poetry imprint. | Emerging poets needing editorial support. | Editorial guidance, festival visibility, community engagement. |
| 66 | Mercier Press Trade | Publishes accessible Irish history, biography, and politics. | Authors aiming for general audiences. | National recognition, retail distribution, editorial guidance. |
| 67 | Liberties Children’s | Middle-grade and YA fiction. | Authors writing culturally themed stories. | Editorial guidance, festival exposure, school engagement. |
| 68 | Little Island Spotlight | YA and diverse voices. | Authors of socially conscious YA fiction. | Award-winning editorial, school engagement, international rights. |
| 69 | Swan River Classics | Gothic and supernatural reprints. | Horror and Gothic authors. | Collector appeal, niche market, international recognition. |
| 70 | Doire Poetry Imprint | Emerging and regional poets. | Debut and mid-career poets. | Mentorship, festival exposure, community support. |
| 71 | Futa Fata Bilingual | Bilingual children’s works. | Authors producing Irish-English books. | Educational distribution, bilingual expertise, cultural preservation. |
| 72 | Cois Life Literary | Irish-language fiction, poetry, essays. | Literary and cultural authors in Irish. | Editorial specialization, national visibility, cultural authenticity. |
| 73 | Arlen House Academic Fiction | Fiction with cultural and social themes. | Literary authors exploring Irish society. | Editorial support, festival exposure, cultural relevance. |
| 74 | Poetry Ireland Anthologies | Curated poetry collections. | Poets seeking anthology publication. | National credibility, editorial guidance, cultural outreach. |
| 75 | Skein Diversity Imprint | Underrepresented voices. | Authors writing on identity or social inclusion. | Cultural relevance, editorial support, growing visibility. |
| 76 | Cúirt Festival Anthologies | Festival-linked anthologies. | Emerging authors. | Festival branding, networking, editorial guidance. |
| 77 | UCD Press Irish Studies | Academic Irish studies. | Scholars in Irish history and humanities. | University backing, peer review, library distribution. |
| 78 | Four Courts Popular | Trade-friendly history and heritage books. | Authors bridging scholarly research and general audiences. | Editorial guidance, academic credibility, retail reach. |
| 79 | Wordwell Heritage | Local history and archaeology. | Authors in heritage studies. | Niche expertise, institutional links, targeted readership. |
| 80 | Attic Press Contemporary | Feminist and social justice literature. | Authors exploring gender, equality, and societal change. | Cultural relevance, activist readership, historical credibility. |
| 81 | Brandon Non-Fiction Imprint | Memoir, biography, cultural essays. | Authors with Irish-focused non-fiction. | Editorial expertise, distribution, credibility. |
| 82 | Blackwater Poetry | Emerging contemporary poets. | Poets seeking editorial support. | Festival visibility, community engagement, mentoring. |
| 83 | Mercier Press Trade | Popular history, biography, politics. | Authors targeting general readers. | Strong brand, retail distribution, credibility. |
| 84 | Liberties Children’s | Middle-grade and YA fiction. | Authors writing adventure, culturally themed stories. | Editorial guidance, school outreach, festival presence. |
| 85 | Little Island Spotlight | YA diverse and socially conscious fiction. | YA authors producing bold, inclusive stories. | Editorial support, international rights, school engagement. |
Conclusion
Ireland’s publishing landscape in 2025 is a rich blend of legacy houses, academic presses, independent literary publishers, and specialized imprints. From Ghostwriter Inside’s full-service author support to the focused regional or Irish-language publishers like Cois Life and Futa Fata, there’s a platform for nearly every author.
When choosing a publisher, consider your genre, audience, and goals. Larger publishers provide extensive distribution and visibility, while smaller presses offer personalized editorial support and cultural expertise. By understanding the strengths and focus areas of each publisher, writers can make informed choices that maximize both creative impact and market reach.
FAQs
1. How do I choose the right publisher for my book in Ireland?
Choosing the right publisher depends on your genre, target audience, and the type of support you need. Large publishers like Mercier Press or The O’Brien Press offer wide distribution and marketing, while smaller independent presses like Little Deer Press or Blackwater Press provide more personalized editorial guidance and attention for debut or niche authors.
2 .What types of books do Irish publishers specialize in?
Irish publishers cover a wide range of genres. Some focus on literary fiction and poetry (e.g., Dedalus Press, Doire Press), others on children’s and YA books (Little Island Books, Futa Fata), academic and scholarly works (Four Courts Press, UCD Press), or religious and cultural publications (Columba Books, Veritas Publications).
3. Are there publishers in Ireland for new or emerging writers?
Yes, many independent presses like Blackwater Press, Doire Press, and Little Deer Press actively seek emerging voices. They provide editorial support, mentorship, and opportunities for festival and award participation, making them ideal for debut authors.
4. Do Irish publishers accept submissions directly from authors?
Submission policies vary. Larger publishers often require an agent (e.g., Mercier Press, O’Brien Press), while many independent presses accept unsolicited manuscripts or submissions via online forms (e.g., Blackwater Press, Doire Press, Little Deer Press). Always check each publisher’s submission guidelines.
5 .What are the benefits of publishing with an Irish publisher?
Publishing with an Irish publisher can provide:
- Cultural credibility and local expertise.
- Access to Irish literary festivals and awards.
- Editorial guidance tailored to your book’s genre.
- Distribution in Ireland and, for some presses, international markets.
Disclaimer: The publishers listed here are provided for informational purposes only. We are not affiliated with these publishers and do not guarantee manuscript acceptance. We only provide professional book editing, marketing, and formatting services to help authors prepare their work for submission and improve their chances of acceptance. Always verify submission details on the publisher’s official website before applying.
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